|
|
 |
| |
Banbury Steam
Society |
|
|
| |
Preservation Projects |
|
|
| |
|
|
|
| |
89 key Gavioli c.1900: The Wells Family |
|
|
| |
 |
|
|
|
| |
Professionally
recorded CDs of the Gavioli are available
from
Kate Spencer priced at £9.95 + £1.50
p&p. Click here for sample tracks
Zip File. Photo by Brian Steptoe.
History
"The American
Gavioli" was built in Paris between 1890 and
1900 by Gavioli & Co, with an 89key V.B.
scale. Her history is unknown up to the
point when she was restored by Van de Mueren,
when her original serial number was changed
to 2005 (this does not correspond to
Gavioli's numbering system). She continued
her working life in the USA, as the
centrepiece of a four abreast carousel
(galloper) built by The Philadelphia
Toboggan Company. At this point, she was
converted to playing on the Wurlitzer paper
roll system.
In 1923 she was
removed from the carousel and became part of
the Heller collection. She was not to play
again until 1998. Stored in an earth-floored
barn, she suffered much deterioration over
the course of almost 60 years. In about 1980
she was bought by an American collector who
began restoration work on the bellows.
Then in 1997, as
a result of a chance conversation between
Andrew Pilmer and Andrew Whitehead, the
Wells family became the new ownvers of this
sadly neglected but magnificent instrument.
Restored over the next two years by the
Wells family and Andrew Whitehead and
friends she played her first note in 75
years on 31st December 1998.
|
|
|
| |
 |
The
restored front panels - fastened in
place on 31st December 1998. This
was the last thing we did before
putting the first book through. |
|
|
|
| |
Restoration
The Gaviolo
arrived at the workshop in 1997 in a
thousand pieces, many of them rotten. When
laid out on the workshop floor it was hard
to imagine how such pieces, that looked no
more than firewood, could ever play.
Work was
essentially a huge 3-dimensional jigsaw
puzzle with an unknown number of missing
pieces. The missing pieces were
reconstructed by Brian Wells and Andrew
Whitehead. During the restoration process
she was restored to her original keyframe
operation, 89 key V.B. scale.
 |
 |
Far
left: The windchest had deteriorated
beyond repair and a new one was
built by Brian Wells and Andrew
Whitehead using the old windchest as
a pattern.
Right: Saxaphone pipes being
refinished.
|
 |
 |
Far
left: The finished pipework.
Right: Andrew Whitehead checking the
position of pipes on the top of the
main windchest.
|
|
|
|
| |
Restoration was
not limited to the pipe work and musical
heart of the Gavioli. Careful cleaning
revealed not only the dancers who feature on
the four side panels, but also a little
group of onlookers who had bee hidden by
years of accumulated grime. These were
carefully retouched.
Where the
original designs were too damaged to save,
the carvings and decorations were carefully
sanded down, layer by layer, revealing three
different colour schemes along the way. We
shall never know whether each design was on
display for years, or whether the original
decorators simply over-painted several
times. However we have made faithful copies
of each layer to preserve each era in the
Gavioli's history.
The Gavioli was
finally repainted in her original colours by
Chris and Helen Wells during the winter of
1998 and the final panel was fastened into
place on New Year's Eve (picture near top of
story). She played her first note in 75
years shortly after this photograph was
taken.
 |
Chris, Helen and Kate Wells
repainting the front. |
 |
 |
One
of the four "dancer" panels before
and after restoration.
|
 |
With
the exception of the "dancer"
panels, most of the paintwork had
deteriorated beyond repair. The
front panels and decorative scrolls
were sanded back to wood and then
painstakingly hand painted in the
original colours. |
|
The
Gavioli is mounted in a model 68GX
ERF, supplied new to S and E
Johnson, Corn Merchants, Derbyshire.
She spent many years travelling to
and from Liverpool Docks and in the
surrounding dales. After having one
working life she then passed to John
Scarrott and sons, showmen, of
Woodford Halse. She spent many years
carrying their rides around their
fun fairs in Northamptonshire,
before being laid up in the open for
seven years. The Wells family found
her just before she was to be cut up
for scrap. Restoration followed over
a period of several years,
culminating in the building of the
original style body that now
protects the Gavioli.
During
1999, 2002 and 2005 the Wells' and
some good friends made the marathon
journey to the Organ Festival in
Waldkirch, Germany; each trip being
a journey of 1200 miles. We also
travelled to Paris in 2005 and
Brussels and Essen in 2006 to take
part in their respective transport
festivals. Not bad for a vehicle of
over 40 years old that has been
retired twice already! Each trip was
completed with only minor incidents
- a couple of punctures, and a
warning for (lack of) speeding on
the French motorways, where we
apparently going too slow! |
|
|
|
| |
Minneapolis Moline |
|
|
| |
|
|
|
| |
 |
After
preservation work was carried out |
|
|
|
| |
This tractor,
made in 1939, worked on a 180 acre farm in
England from 1940 to the autumn of 1956.
After standing idle for 12 years, she was
restored in the winter of 1968-69 and is
still going well after 60 years. |
|
|
| |
 |
The
Minneapolis Moline before
preservation. |
|
|
|
| |
|
|
|
| |
1972 Hillman Avenger: James Need & Helen
Wells |
|
|
| |
A Tale of Two
Cars
Spare a moment,
as you read this, to think of why your
particular passion means as much to you as
it does. I would hazard a guess that it may
not be entirely unconnected to the sorts of
vehicles and machinery that were in everyday
use when you were a child and that you
longed to won when you grew up. |
|
|
| |
|
With
this in mind, i would like to tell
you why we are about to embark on
the restoration of a care no doubt
some of you sent to the scrap yard
without a second thought. We are the
proud owners of a 1972 Hillman
Avenger 1250cc! |
|
|
|
| |
|
Perhaps
I have misjudged you and you can
quite understand why it was an
exciting moment when James returned
from an amble round the car line-up
at Kettering rally to report that
there was an Avenger in the line -
and what was more - it was for sale!
On the other hand, perhaps I was
right to predict that this
enthusiasm might require further
explanation. The first car I can
remember my family owning was a sky
blue Avenger Estate, though this is
just a hazy memory owing to the fact
that I can only have been about five
at the time. The second and third
cars were both white Avengers, but
it is the third which stands out
most in my memory and which is
responsible for the current contents
of our garage.
This
formidable piece of machinery had
done the equivalent of a couple of
circuits of the globe by the time it
expired, had towed far greater
weights than I can ever believe it
was designed to do and had withstood
the ravages of two growing children.
Chrysler Avenger CLW521T eventually
turned grey (as is so often the case
after a hard working life) in order
to match the 'fleet' of vans run by
the firm. She ran for what seemed
like years on unleaded fuel without
having undergone any major surgery
to make this possible, and even did
her bit for the preservation of her
predecessors in the transport world
by fetching the mudguards for our
ERF 133URB from up North. (She
didn't do this on her own, mind you;
there were limits to her talents). I
recall getting up at 4am to
accompany Dad on this great
adventure, which was added to by the
fact that he made me promise not to
tell Mum we had done 100mph on the
motorway!
Her
interior was top-of-the-range shiny
vinyl, which had tendency to remove
a layer of skin from the backs of
your legs in hot weather, and her
ceiling was of a spotty pattern that
may or may not have actually been
holes. Years of poking children's
fingers failed to solve the mystery.
She sported two lines along her
sides, which I am happy to note are
also a feature of our current
project, as is the vinyl interior,
which is less of a cause for
celebration! Sadly, CLW521T had to
be laid to rest eventually and was
succeeded by a range of vans and
cars which failed to achieve the
same status for me.
Perhaps
you have similar fond feelings for
an old piece of metal, and I would
guess that many of you are reading
this because you do. Whether or not
it really makes sense to be so
sentimental is neither here nor
there. What it means in reality is
that CNL809K now has a new loving
home, and practically, that we can
look forward (and I do mean look
forward) to many chilly nights in a
dimly lit garage, many (many) cups
of coffee and no doubt many pieces
of unidentifiable Avengerbits
distributed around the house
(well.... if past experience is
anything to go by!)
Helen
Wells and James Need.... |
|
1980 Moto Guzzi 850 T3 California -
Bernard Robinson |
| |
|
|
|
 |
 |
|
|
| |
|
The
Italian company of Moto Guzzi was
founded by Carlo Guzzi, Giorgio
Parodi and Giovanni Ravelli who were
Air Corps friends. After Ravelli was
killed in a flying accident the
company adopted the air corps eagle
symbol in his honour. They first
produced motorcycles towards the end
of the First World War and went on
to become Italy's largest
manufactures of motorcycles.
The
California was first produced in
1971 as a special version of the
Moto Guzzi V70, and California's are
still being made today.
JJU 71V
was first registered in April 1980
and has the 844cc T3 V Twin engine.
It is a mark 1 California, known as
a 'Cali 1'.
I
purchased the machine at the end of
August 2003 after it had been
standing in the previous owners
garage since the last road tax ran
out in September 1999.
On the
good side, a month before being laid
up Cali had received a major service
and with only a few miles added the
oil would be reasonably clean. On
the bad side, the headlight was not
working and several of the idiot
lights only worked when they felt
like it! Although the engine would
start it would only turn over when
it was in a good mood. The rubber
brake hoses were also beyond safe
use. The original panniers had been
removed from the machine a long time
before the last owner had purchased
it and he had made the metal
panniers which came with Cali when i
got her.
The
first job was to get the electrics
working properly. Italian electrics
are supposed to be really bad but
with mainly Bosch components which
are very reliable - there should be
no problem. The faulty headlight was
traced to a bad connection and after
replacing all the connectors and a
couple of bulbs - and after hours of
frustrating fiddling, the electrics
were sorted - all of which sounds a
lot easier than it was!
Then
next job was the brakes. Cali has a
linked braking system where the foot
brake operates the front left disc
and also the rear brake. The
handlebar lever operates the right
front disc only. The original rubber
hoses were beyond safe use and so i
purchased a set of Goodridge
Stainless Stesl hoses which once
fitted would give a much
better feel and braking than the
original rubber ones. At the same
time the brake fluid was also
changed for the brown much that was
in the system.
I
ordered a sump gasket and oil filter
from the Moto Guzzi dealers - my
next task was to change the oil
filter. When Cali has been serviced,
the oil they used was a
semi-synthetic - degrading to teh
same amount as normal mineral oil
would have. There is a car type
cartridge filter which for some
reason is fitted inside the sump -
so after draining the oil and
removing a dozen or so Allen head
screws the sump was removed to show
nothing bad and no nasty congealed
oil. After a clean, the new filter
was added and the sump was replaced
before being filled with fresh
semi-synthetic oil.
After a
good check all round and the
insurance was sorted I booked Cali
into a motorcycle garage for an MOT
at the end of February 2004. I am
glad to say she passed with no
problems at all.
Since
then i have done over 500 trouble
free miles. I have also improved the
cosmetics by replacing the steel
exhaust pipes which were very rusted
and pitted ,with stainless steel
ones. I have also made lids for the
pannier boxes which include locks.
Finally, I added some white stipes
to make it look more like they
belonged to the machine. I was also
lucky to find a brand new original
pair of Voxbel horns which i have
also fitted.
The
pictures above show the finished
machine - ready to cruise.
Bernard
Robinson, 9/5/2004
|
| |
|
|
|
|
|
|
|
|
 |
 |
|
PRESERVATION |
 |
|
Our members have
restored, or are in the process of restoring, a wide variety of
vintage vehicles and other vintage machines. |
|
|
|
|
|
|
|
|